The MacGuffin

In a darkened space below the deck of the Orca, a fishing boat that probably isn’t big enough, the Ahabesque character of Sam Quint relays a chilling tale about a mission to deliver an atomic bomb to Japan during World War II. While drunk and still laughing, Quint (played by Robert Shaw) begins to deliver this strange and haunting monologue to his two fellow crewmates, and while the music fades and the camera pushes in closer to his face, the tone of the movie makes an important shift. Carefully worded and with deep sincerity, Shaw explains in great detail about the night his character watched the other soldiers get picked off one by one by a swarm of tiger sharks while they waited in the Japanese waters to be saved by the US military. To anyone who has seen Jaws (1975) more than once, this scene quickly becomes their favorite. Steven Spielberg himself has admitted that this scene, consisting of only dialogue and a few reaction shots, is the moment from Jaws that he was most proud of. What this now-famous boat scene underlines is the dichotomy of its creator.

With 2011 officially in the books, it’s time once again to look back and reflect on some of the best films that have come out in the past year. As with all movie writers, coming up with a list like this is usually expected, but also damn near impossible. To me, reading and writing these types of articles are only beneficial in spreading word about titles that really had an effect on me, while stirring up debate between those who strongly agree with my choices, or vehemently disagree. No one list is ever truly definitive; what is considered great to one may not register the same way to another. The only real truth is that 2011 had a wide range of very interesting and fascinating films, and just like every year, there’s always a good handful worth noting.

Now this is what I’m talking about. The beautiful thing about seeing Steven Spielberg’s The Adventures of Tintin (2011) is realizing all the shortcomings that made up his lackluster film Indiana Jones and the Kingdom of the Crystal Skull (2008). Sure, both films have similarities: both are over the top adventure films, both have absurd plots that stretch the limits of believability, and both see our heroes in the middle of thrilling action sequences. But the difference here is that Tintin has much more life, energy, and enthusiasm, while Crystal Skull felt like an uninspired attempt at recapturing the once-great magic of a franchise. While the characters of Herge’s comic book series have been around for quite some time, this feels as though it is something new, something to be discovered and perhaps inviting us to revisit those stories, told in a way that can only come from the partnership of Steven Spielberg and Peter Jackson.

In honor of Tintin, Spencer and Greg share alternative comic movies. Then they discuss the magic of murder mysteries and give DVD picks of the week.