Predator is one of the best action films ever made. It’s got Schwarzenegger in his prime, a young and ambitious John McTeirnan at the helm, Carl Weathers, Jesse Ventura and a seven-foot invisible monster. Boy, they don’t make them like that anymore…
Firstly, you should know I wrote Predators when I was 13. Like every kid, after the first time I sat and was blown away by the original, I made it better (or, in the teenage parlance, “cooler”). Sure, one Predator is cool, but what about four? There should definitely be a fight between them, too, and honestly, the female character is so boring, it would be so much cooler if she was a sniper! The difference between my vision and that of the eventual makers of Predators was that I wasn’t given the keys to sci-fi horror royalty and millions of dollars to spend, and I still required a legal guardian. In this article, I’m going to look at the narrative structure of Predators and how it functions as a sequel. But before that, let’s look at what it’s actually about.