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What We’re Watching – 2/1/2012

In Name Only (1939)

Wealthy businessman Alec Walker (Cary Grant) is unhappily married to Maida (Kay Francis), a schemer who married him for money, not love. He learned of her deceit shortly after they were married, but she has his parents and society fooled into thinking she is the perfect, loving wife. Alec has long decided to stop pretending he is happy, so Maida is trying hard to get his family and friends to control his behavior. While he is out riding one day, he meets Julie Eden (Carole Lombard), a young widow who charms him with her forthright and humorous nature. He begins to court her, but she pulls back when she discovers that he is married. Alec asks Maida for a divorce, and she pretends to acquiesce, but in the end, she refuses him, and informs Julie that she will not let him go without a scandal. Julie cannot risk exposing her daughter to a trial, so she asks Alec to let her go. All three characters struggle to get what they want, but only two of them are willing to address the moral ramifications of those desires. Who does Grant end up with? Watch and find out!

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Film Review – Trouble In Paradise

I watched (1932) for the first time at the Grand Illusion Cinema the other night, and now I can’t stop thinking about it or the director Ernst Lubitsch. He’s beloved around my house; my husband loves The Shop Around the Corner and my favorite is To Be or Not To Be. (I have a life-long obsession with Jack Benny. At age five I could do two impressions: Mae West and Jack Benny. Yes, I was bullied.) A lot gets bandied about regarding “The Lubitsch Touch” and what that is. For me, it’s where what you don’t see is just as important as what you do.

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