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SXSW Interview – Matt Piedmont/Andrew Steele – Casa de mi Padre

Spencer interviews director Matt Piedmont and writer/producer Andrew Steele from Casa de mi Padre.

This segment is also available on Stitcher, iTunes and YouTube. The audio version can be downloaded directly from here.


Also, be sure to check out our review of Casa de mi Padre from SXSW.

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SXSW Film Review – Girl Model

There is an uncomfortable, eerie, and saddening feeling that runs throughout the course of the documentary Girl Model (2011). Directed by Ashley Sabin and David Redmon, the film examines the life of young fashion models as they embark on a strange and disconcerting trip that takes them from their home country to a foreign place where success and fame are apparently waiting for them. The harsh reality, though, is anything but that dream. When speaking of the world of fashion and modeling, one might think of flashing lights, bright runways, and designer clothing. This film, however, sheds all of the glitz and glamour to reveal something very unsettling, where certain people’s moral compasses are turned upside down, and where young girls get into situations that are beyond their understanding and control. It’s a film that’s effectiveness strengthens more after you have seen it, because you start to realize that it goes far beyond those that are portrayed.

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SXSW Film Review – Casa de mi Padre

It is not often you get to see true creativity coming out of Hollywood. Very few people have enough leverage to be able to do whatever they want regardless of how outrageous the idea is. Following his success in film and the massive success of his internet venture Funny or Die, Will Ferrell seems to have reached that level. Otherwise, the idea of him starring in a film in which he only speaks Spanish, as he does in Casa de mi Padre, never could’ve happened.

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SXSW Film Review – The Cabin in the Woods

To describe Drew Goddard’s new film The Cabin in the Woods as David Lynch-ian is putting it mildly. The film takes the premise of a simple slasher film and eschews all the conventions in the process, creating something unlike I have ever seen before. Any comparisons to other films would be stretching it.

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